缺乏自信、无人关注的现代学渣少女黎萌萌（李子璇饰），一脚踏空误入陌生时空——祁国，变成一名神使，现代成绩吊车尾的她在祁国成功逆袭，成为年轻的腹黑皇帝祁炎（陈靖可饰）的导师，两人默契搭档，合力搞事业。

甜蜜日子 ～我與女友的七天～ 有著豐滿肉體的純潔女孩，完全不知道男性是什麼生物。在自然而然的情況下彼此貪求肉體，跟男友開始了淫蕩的初體驗！！

小人物二宫启之（滨田岳 饰）对外的名头是建设咨询顾问，其实就是作为中间人帮助建设施工单位解决黑道的骚扰问题，通过介绍相熟的帮派担任“事前保卫”搞定不便于惊动警方的麻烦，其父亲曾身为黑道头目的身份也为之...

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

堡垒纪元2115年，边境部队出身的女少校“位沁”，来到中央堡垒参加天选者选拔，并因暗中追查“边境惨案”而屡遭暗杀。此时，堡垒头号公敌“元一”策动了一场诡谲浩大的反抗行动。一时间，各方势力都被卷入这场行...

故事讲述22歳的美女一华（广濑爱丽丝）得到亡父的5兆円遗产，因此被父亲的兄弟姊妹狙击想把她杀死夺取金钱，为了保护她，和她共住的家政妇桥田政子（水野美纪）雇用了名侦探千曲川光（泷藤贤一），他为人神出鬼没...

明治维新运动后十二年，日本迎来了新时代。曾经叱咤风云的刽子手绯村剑心如今已成为和平主义者，与朋友们一起在东京过着平静的生活。一天晚上，剑心最喜欢的餐厅遭到炮火袭击，只留下一张写着“人诛”的字条——有人...

以短篇集的形式，推出两篇人气故事“唤石”与“可疑访客”。讲述天生拥有能够看见妖怪能力的夏目，和强大妖怪“斑”组成跨越人与妖怪的组合，为夏目崭新的高中生涯带来众多不同的邂逅…《唤石》篇夏目在森林中遇...

影片为庆祝哥斯拉诞生70周年的纪念作品，也是东宝第30部哥斯拉大作。故事设定在二战后的日本，哥斯拉的出现仿佛要给已经变得一无所有（归0）的日本再添一击，将这个国家打到负值（负1.0）。

在宠物店有一只卖不出去的猫，虽然一天天降价，来往的客人们却看都不看它一眼。直到某天一位男性出现在快要对爱放弃希望的猫咪面前，并对它一见钟情。一段讲述猫与大叔的温暖治愈的故事由此展开......